A New Garden Path

cobblesThis was a nice, quick little project. I have always intended to dig up my ugly, cracked concrete garden path, and replace it with something, you know, less objectively reprehensible. Ideally I wanted stone but thick flags are like £60 a square metre, and I needed 3.5 square metres. Sure you can get cheap Indian stone, but it’s so thin that it has to be bedded on solid cement, which needs a lot of patience (and probably a cement mixer) with little room for mistakes. I wanted paving thick enough that it could be bedded directly on the ground / sand, so I was going to wait until summer and use brick, which is a bit cheaper than stone. That was until  spotted a pallet of reclaimed cobbles for sale on eBay, from a farm in Bacup, which I won for £55. Just eyeballing it it looked like enough for the job (which it nearly was). To get it home I roped in a friend and we filled up the boots of our small cars and very gingerly drove them back. It took two trips.


I smashed up the concrete and dug out sufficient depth (and found a ha’penny dated 1943), then started placing stones to get an idea of whether there were enough and how they should tessellate. I discovered there weren’t enough to use in their normal configuration but by turning some of them on their side I could make them go further and almost have enough to complete the job (there would have been enough if some hadn’t been too broken to use ).Path_dug_out

I bought some sharp sand -from B&M of all places (Burnley must be the only town where a young female shop assistant will load five bags of sand into your car in the November rain and still genuinely smile about it!). I started placing the cobbles on a mixture of sand and dug-out soil and gravel as necessary to get them to the same level, since I alternated between cobbles uprights and on their sides. I didn’t have to worry about getting an immaculate surface since cobbles are so uneven, and I wanted something authetically old looking anyway. Making a path when you don’t have to worry about a cement base and a perfectly flat surface is sooo easy! Having the area bounded on all sides by ‘walls’ also helps of course -I was able to jam a lot of the stones in tight rows. The neighbour even lent me a massive rubber mallet.

Then it started to rain. Freezing rain. When my hands bacame rigid claws I gave up. Apparently I picked the week of freezing storms to do this. Nevertheless it cleared up just enough the next day for me to finish off, even though I was placing the last few rows in a couple of inches of water that had pooled at the bottom of the slope. You couldn’t do that with your thin, modern cement-based paving! For the very last two rows I had to go a buy a few extra stones from Steptoe’s Yard for £10. I brushed the remaining couple of bags of sharp sand into the gaps (as it started to rain heavily again) and left it to settle for a week.


To finish off I bought a bag of hydrated lime -which was considerably more expensive than I ever expected (about £19 for 25kg, which was about 20kg more than I wanted). No matter, it’s the right stuff to use since it’s permeable and slow drying, unlike cement, and I’ve always wanted to play about with it (if you use it alone with water it will turn back into solid chalk!). I’ll try to use the rest for pointing. Anyway, I mixed it dry 2:1 with sharp sand and brushed it into the joints. That’s all there is to it. After a couple of weeks the joints have become semi solid, and no doubt will get more compacted over time. I’m hoping moss with eventually colonise the joints as soil creeps in, making it all look truly original. It’s not remotely even, and I think it look infinitely better than the old concrete. Now I just hope the local gyppos don’t steal it!





New Kitchen Door Completed

CIMG1737Having knocked a hole in the wall to create a new kitchen door, and lining it as described here, I have finally finished all the trim. It seemed convenient to use a frieze to cover up the hole where the lintel was put in, but a full entablature would be too elaborate for a kitchen. I also couldn’t use deep architrave because it would clash with the radiator valve. I therefore decided to go with a a slimline arts-and-crafts style trim.

Art_and_crafts_architraveThe wall between the two doors I covered with MDF since I didn’t want the bother of buying a whole sheet of plasterboard for such a little area. I wired up the light switch  to the existing patress in (what used to be) the corridor, and the old coridoor lamp is now the pantry lamp. The plinth blocks are plain rectangular and made from scraps of MDF windowsill board I got free from Wilson’s Timber. The two doors are so close together that I figured it would be OK to have the frieze extend right over both of them. I also made door stops from 12mm MDF, with a simple profile routed along the edge.

I’m particularly pleased with the pantry door because I found it in a skip round the corner! It looked like a 1970s door but I could tell by looking at the ends that it was morticed and tenoned, so I had a suspicion that it was a much older door with some ‘fashionable’ hardboard nailed to it. Sure enough there was a beautiful Vicorian door underneath, still with its original brown paint job and near enough the right size for the pantry door frame. I stripped it back with a hot air gun, hoping to stain it like my new pine doors, but this turned out not to be possible. It had been primed with some kind of liquid putty that was impossible to clean off, and the door had been trimmed right up to the joints, one of which was also slightly rotten. It was in too poor a shape to leave stripped. I therefore strengthened the joints by glueing dowels through the tenons, and also glued and dowelled some strips of wood on each end to lengthen the door to fit my frame, before filling and painting it. It’s only a 1 1/4 inch door so I didn’t fancy morticing a latch into it, so I fitted a chromed rimlock that I’d bought on eBay for £6 a while ago. I also bought chromed fire door hinges from Screwfix. I think it looks very attractive and worthy of a Victorian kitchen, despite the doors being different colours! Eventually I will finish the floor tiling, skirting, back door, and think about improving the kitchen fittings.


The opposite side of the kitchen door uses the same deep architrave that I used elsewhere downstairs, made from two layers of 4mm MDF and some dado rail. Pro tip: if you have a gap between the architrave and the door lining you can disguise it by gluing some thin dowel into it. My gap wasn’t even consistent in thickness, but once painted it all looks like one solid piece of Victorian architrave.


The Lounge and How to Improve Torus Skirting

Improved Torus skirting

A recurring theme throughout this blog has been my dislike of Torus mouldings, and my annoyance at the previous owner for installing it when there was perfectly good Ogee on the reverse side of the skirting he bought. Oh well. After spending a long time making the architrave and entabletures for my downstairs doorways it was time to tackle the skirting in the front room -obviously I couldn’t have crappy old Torus meeting the plinth block of a palatial doorway! On the other hand I am too cheap and lazy to bother removing all the Torus skirting and starting from scratch.

Fortunately there is a cheap dodge: add some extra moulding on top of the Torus to enhance/disguise it. I had a look at the cheap mouldings available to me and eventually settled on some slim picture rail that I bought on eBay, £31 for 16.5 metres delivered (B&Q used to sell it too but the Nelson branch seems to have stopped stocking it just before I needed it!). It measures 50 x 22mm which is about the same thickness as the skirting. Ideally I would have liked the picture rail to be a bit smaller than the Torus’ own profile (and a bit more ornate), but this was the slimmest picture rail I could find, and other panel mouldings were all too small and would have looked incongruous.

Filled skirting mitre
Filled skirting mitre

The skirting around the bay window had been fitted extraordinarily badly. After gouging out the ridiculous caulk I found half inch gaps between the internal mitres. I filled these with wood filler (because it’s harder than white filler and won’t chip or shrink when used in large amounts like this) and sanded it back to get what appear to be perfect mitres. Some other bad mitres in the room got the same treatment. I also had to sand back the terrible paint drips and rough scarf joints provided by the previous owner (seriously, the whole point of a scarf joint it to be invisible, so why did he go to the trouble of cutting scarf joints only to leave them a splitery mess??)

Improved Torus skirting
Improved Torus skirting

I used pound-shop No More Nails to glue the picture rail along the top of the skirting, with a few oval nails needed here and there to hold it. I then filled the gap between the top of the rail and the wall with filler, NOT caulk. If there’s on thing I have learnt from making so many mouldings it’s that decorator’s caulk is completely useless for a high quality job; it serves literally no purpose. Always use filler. I then painted everything with Zinsser BIN primer, Wilko water based undercoat and Wilko Moonlight White gloss.

I filled the larger gaps between the skirting and the floor with expanding foam and the smaller gaps with some caulk that I unintentionally bought (because it said “white filler” in large letters on the tube but “caulk” only in smaller letters underneath, FFS.) This stops draughts but mainly I did it to stop the slugs in the cellar from getting into the living room again!

Cloud 9 underlay
Cloud 9 underlay

Finally I had carpet fitted. I first layed down some brown paper that I got free from work, mainly because it seemed like a good idea even though I don’t think it was strictly necessary, and bought 11mm Cloud 9 underlay on eBay for £80 which saved me £50 compared to my local fitter, although I now think that 9mm would have been fine and would have meant less trimmming of the door. The carpet was an end of roll of Kingsmead ‘Breathtaking’ that was supplied and fitted by Carpet Market for £420 (it only just fitted with NOTHING spare for trimming, even though they measured the room themselves!), although I wasn’t impressed that the fitter scratched my newly

Burnley Carpet Market fitter
Carpet Market fitter

painted skirting so much. I also get some rustling sounds where the strips of underlay rub along the joints possibly due to not enough staples -I’m hoping this will die down over time. Nevertheless the room looks and sounds far, far better than when I bought the place. It has gone from an intitutional B&Q box into a comfortable neo-Victorian lounge at a total cost little over £1000 (mostly the coving and carpet). Eventually I may adding moulding around the window.

How NOT to do mouldings

Following on from my confession about being obsessed with mouldings, I have been taking snaps of both good and bad examples that I see out and about. Here are some real howlers.

plinth_block_abuseThis example is kind of excusable since it was part of a quirky shop fitting in York, rather than a permanent house fixture. So it’s just a warning: If you’re going to use plinth blocks make sure they are wider than the architrave and are sanded good and smooth. Otherwise you get this, i.e. badly painted firewood.

Double Torus skirting
Double Torus skirting

Spotted in a holiday cottage in Salcombe. To quote Herodotus; “…for great Caesars of antiquity had sowed Torus upton Torus yet reaped only sorrow. So too their descendants”. Honestly, this is all kinds of wrong. Even if there weren’t two inexplicably stacked bits of Torus the doorway would still need a plinth block since even one piece of skirting sticks out beyond the architrave. But look! They mitred the end of one of the bits of skirting! Phew. It would have looked like a bag of shite if they hadn’t done that.

Bad door trim
Baffling architrave

This was in a house I viewed before buying mine. The owners said it was very ‘dated’ when they bought it but they had ‘renovated it’. Hmm… this qualifies as something, but it ain’t renovation… Tragedy maybe. Ignoring the six panel door which is completely wrong for a Victorian house, why does this doorway not have proper architrave? Why does the piece at the side extend out beyond the corner of the wall? Why does the top piece not at least match the side? Were they going for an American Craftsman trim but never finished? What was the story here??

Bad dado termination
Bad dado termination

Dado rails are perhaps the easiest thing to get badly wrong. There was a fad for them in the 1990s and almost everyone placed them too high up the wall, which has a foreshortening effect that makes the ceiling look lower. This is a particularly bad move in modern houses where the ceilings already are low. Worse still, this one not only placed it too high, but someone didn’t plan ahead. Right into the window sill, doh! Just saw it off… no one will notice. Well I noticed.

Badly terminted stair stringer
Stair stringer abuse

Oh, come on. Terminating something is easy. There is no reason for this to happen. You either return mitre it onto the wall or, in this case, interrupt it with a block or other orthogonal object for it to butt up against. This looks like a botched Isis beheading. Plus it’s Torus. *does a bit of sick in mouth*.

preston_station_dadoOK I’ll let you in on a secret: Torus is dull as skirting, ugly as architrave, but a total eyesore as dado rail. This example is outside the mens toilet at Preston station. Talk about making a depressing location even worse. It doesn’t even match the dado rail around the rest of the corridor, which is Ogee. Could they really not be arsed to go and buy an extra bit of Ogee? And where the hell is the architrave on the left side of the door?? I should have paid more attention but I was self-conscious about taking photos right outside the gents… ahem.

How to make your own mouldings

DIY baseboard


I have a mouldings problem. I have become obsessed with them -skirting, architrave, coving, panelling, pilasters… I have started to irritate strangers and loved ones alike by commenting on them wherever I see them. “What are you watching?” “19 Kids and Counting.” “Huh. I wouldn’t have expected rednecks to have such a nice entablature.” “WTF are you talking about?” They don’t seem to notice or care about them the way I do. Sometimes I feel alone.

Almost alone, that is. My one consolation is the second greatest website of all time: TheJoyOfMoldings.com (even though it’s American and therefore misses out the ‘u’). It has inspired me to fill my house with wicked cool mouldings, on a shoestring of course. It’s amazing what you can make with a bit of MDF and some creative thinking!

Hall with new mouldings
Hall with all new mouldings

The hallway is the most important room in the house for wowing guests, and mine has a rather fine original staircase, but it is let down by the other mouldings in the room that have been abused over the years. The Coving is fine, and I improved the archway, but most of the architrave has been badly damaged and even more badly filled and painted. The original picture rail is gone and and various bits of the skirting have been replaced with generic Torus stuff (and then badly painted. Bad painting is a theme in my house, yeah?). Also the wall had been reskimmed after wiring had been chased into the wall, creating a raggedy plaster edge along the top of the skirting. As much as I like to preserve original features, most of it is beyond redemption. Luckily, Victorian mouldings are one of those original features that are not sacrosanct; they’re just milled timber. There’s noting especially unique or different about a bit of pine skirting from 1879 versus one from 2016, so there’s no sacrilege in removing it, as long as you replace it with something as good or better. Torus won’t do.

Douchebad Baseboard
Douchebag Torus

Sadly, builder’s merchants universally stock only three kinds of moulding: Torus (ugly and ubiquitous), Ogee (dull and ubiquitous), and Pencil round (why bother). Anything fancier than that and you have to find a specialist supplier, which will cost considerably more. But there is a Third Way, as proven by TheJoyOfMoldings.com: make your own mouldings from bits and pieces. That’s what I did.

Removing the Skirting
Prying off the original skirting

dateI removing all the existing skirting and architrave (except around the front door which was in tolerable condition). Trivia: underneath I found some numbers inked on the door frame -I think it may be the date, as the house was built in 1879.  I kept the only piece of original skirting, which I will use to fix a missing section of stair stringer later.

I made plinth blocks by chamfering a bit of ordinary 6×2 pine with a hand plane. As I’ve mentioned before, plinth blocks are architecturally essential for a high-status appearance and for harmonising the junction between architrave and skirting. I nailed them to the door frames with a couple of oval nails (I was interested to find that the original plinth blocks were carefully rebated to fit over the skirting which must have been fitted first; seems like needless extra work?)

DIY Plinth Block
DIY Plinth Block

The architrave I made out of two layers of 4mm MDF, with dado rail glued on top. The dado rail is made at my local timber yard, Wilsons (£2.57 a metre). I was later pleased to find the profile is not unlike some I saw at the local stately home, Towneley Hall, albeit on a grander scale. By doing it this way I could tailor the overal width of the architrave to fit the unplastered space left by the old architrave. The edges are simply smeared with white filler and sanded -you can’t see the layer cake once painted! By the way, a top tip from TheJoyOfMoldings is you must glue every joint otherwise gaps will open up as the wood shrinks.

Skirting Nailer
Skirting Nailer

The skirting required more thinking. I wanted it to be in keeping with the stair stringer, and it had to be at least 11 inches high to cover the bottom of the wall. The original stuff was attached to the nailer at the bottom of the plaster, and to a batten nailed to the floor. I instead screwed a new nailer (made from some old bed slats again…) to the bottom of the wall. Next I nailed on a strip of 4mm MDF (with expanding foam behind for good measure) followed by a couple more 10mm MDF nailers, glued on. This allowed me to use the same dado rail moulding as before, and nail/glue a sheet of 10mm MDF on top, covering up part of the dado profile. I primed the bottom edge of the MDF before installing to keep floor moisture out of it. Finally I added some slim panel moulding (also from Wilsons) along the very top, which hides the raggedy bottom of the plaster and completes a rather nice overall skirting profile with hardly any gap to fill. In the photo below you can see what I mean in cross section. Pro tip: Use 22.5 degree scarf joints not 45 degree scarfs. This wastes less material and avoids chipping and over-sanding of the thin edge.

DIY Three Piece Skirting
DIY Three Piece Skirting

Victorian skirtings were often made this way -from multiple pieces- and you could pick and choose how many layers you added, depending on the status of the room. The original skirting in my house was two-piece. Multiple pieces make it far easier to accommodate obstructions and defects in the walls. It’s sad that the building trade no longer uses this ‘lego’ approach. Incidentally, I used some cereal box card as a spacer to ensure that was a small gap between the skirting and the floor so the vinyl isn’t trapped, and so I can slide paper underneath when painting.

DIY cornice above architrave
Cornice before painting

Not satisfied with just architrave I just had to add cornice too (thanks, JoyOfMoldings). This I made from some proper cornice from DresserMouldings, topped with another layer of 50x25mm pine that I routed into a cavetto, and finished off with an abacus made from leftover MDF. The cornice is fixed to the wall with a single screw in the centre, plus Instant Nails (pound shop version) at the ends. The whole lot rather conveniently covers some really ugly plaster defects above the doorways.

DIY picture rail
DIY picture rail

The house was originally built with picture rails downstairs, but they’re all gone. I always fancied having picture rail, so I bought some panel moulding from Wilsons (they only charged me £5 for 18 feet!) because I wanted something a little more unique than the more commonly stocked type. (Even B&Q sell at least two types of picture rail even though few houses must need it (?), yet they stock only the three ordinary boring skirting and architrave profiles, even though every house needs them. World, you make no sense.) I routed a curve along the back edge so picture hooks can be hung from it.  Each length is held to the wall with a single screw and some Instant Nails. I have some heavy pictures so I didn’t trust the glue alone, even though I scored the plaster with a Stanley knife first.

Grandure restored! In my next post I’ll cover how I finished and painted it all.

Victoriana on a shoestring
Victoriana on a shoestring



New Vinyl Hall Floor

Lifestyle Floors Lisbon 761

I hate laminate fooring. It reminds me of all the rented flats I’ve lived in. It’s hard, fairly cold, and looks totally fake -just a photograph of wood printed onto MDF or whatever, no texture at all. It’s also throughout the ground floor of my house. I’ve been desperate to start improving the flooring, and the hall is a good place to start since it creates the best impression!

I was fortunate to have spent a lot of my childhood in my grandparents’ Victorian mansion in Shropshire, which had a fantastic tiled hall floor (below). Consequently I think of this as the quintessential hall floor, so when I lifted my laminate I was rather hoping to find something similar:

Victorian Tiled Hall
The tiled hall of my youth
Bare pine floorboards worn away
Why bare pine floorboards are a bad idea

No such luck, just floorboards. Now, it’s become super fashionable to strip old floorboards. I read a lot of DIY blogs and I think every single one of them has spent a fortune on stripping back floorboards. I dont buy into this. Pine floorboards are like decking; a modern affectation that seems like a good idea and looks great for six months, until the high-traffic areas wear through and turn into rough, dirty grey patches (or in the case of decking into one big, green, slimy slip hazard). At this point people discover why our forebares went out of their way to cover up floorboards with rugs: pine just isn’t hard-wearing enough for bare flooring.

Hall floorboards
Hall floorboards

Back on topic. I considered real tiles but after weighing up the pros and cons they fell heavily on cons. They’re cold; hard; expensive (for nice ones); hard work to lay; hard work to change in the future; and the subfloor must be super stiff. Vinyl wins on all these things. The only  disadvantage to vinyl is the lack of decent tile designs -nearly all vinyl seems to be wood effect (which admittedly is VERY convincing) or big, pastel-colour tiles. I searched for hours all over the net hoping to find something like the tile pattern of my youth. I tried every search term I could think of, but  couldn’t find what I was looking for.

Lifestyle Floors Lisbon 761
Lifestyle Floors Lisbon 761

I was about to give up and settle for a black-and-white chequer pattern when I tried searching for ‘geometric tile vinyl’ on eBay and stumbled upon something interesting. A reverse-image-search then led me to something I really liked -the closest thing I’ve found to a Victorian tile pattern. It’s called Lisbon 761 by Lifestyle Floors. I found it for sale at Burts.co.uk for just £7.99 per square metre, which I think is amazing value. I like that it has grout lines and a slightly rough texture embossed onto it. I ordered some Sticktak spray adhesive and two rolls of double-sided tape at the same time. Before that arrived I bought four sheets of 5.5mm standard plywood from the local timber yard for about £14.50 each (cut to size too) and somehow managed to get it into the KA, and a roll of 2mm ‘acousic’ underlay from eBay (£8.99). I’m not sure what is acoustic about it, as far as I can tell it’s packing foam! It’s good though -feels super warm. I layed the underlay over the floorboards to even out the bumps, and nailed the plywood over the top with 25mm ringshank nails every 8 inches, except in the doorways where I used individual rectangles of ply screwed down since these will suffer the most traffic. The plywood is so thin that it is very easy to handle and can be cut with a Stanley knife, unlike the subfloor that would be needed for real tiles. Its thin-ness also means there was no need to shave any off the bottoms of the doors. Although there is plenty of expansion room around the edges of the floor (which will be hidden by skirting) I didn’t leave any gap between the ply sheets themselves. I hope this doesn’t matter since they’re thoroughly nailed down (I did dampen them before I nailed them down). I guess I’ll have to wait until summer to see…


For laying the vinyl I basically followed a B&Q video. Cutting it was very tricky in a space like this, especially as I had to cut out a big piece where the staircase was, before I could even get it into the hall. I think I measured it about ten times before daring to cut. I did end up with some small tears around the newel post, but you can’t easily see them (and they just look like cracks in the ’tiles’). The job was made a lot easier by the fact that I removed all the skirting board first, so most of the egdes didn’t need to be precise. The few visible edges between the vinyl and staircase I filled with acrylic bathroom sealant. Top tip: Use a stanley knife to cut the basic outline, then use big dressmakers’ scissors to do a fine ‘shave’ and get a really smooth edge.

Sticking down vinyl
Sticking down the vinyl

I’m pleased with the result. I’m a bit of a chicken when it comes to bold colours and patterns (which is why the whole house is still magnolia), but I like where this is going. I think it passes for suitably Victorian, and the whole lot cost only about £200 which is less than half what it would have cost to do in real tiles. Plus I can easily change it if I get bored!

Victorian tile effect vinyl
FInished hall vinyl

I just stumbled upon this online: note the floor!


Lining a Doorway from Scratch

kitchen_doorHaving cut a dirty great hole in the wall between the back room and kitchen, it needed to be lined. Off-the-peg door linings appear to be designed only for thin stud walls, and in any case I already had a door in mind which is not a standard size. I therefore had to make my own lining. By a lucky coincidence the total thickness of the wall including plasterboard is 200mm, and I know I can buy 195mm pine boards as standard from Jewsons (£5.17 per metre). I was even able to find a length that was completely knot free! OK, this means the lining won’t be exactly flush with the plaster but I can hide the gap with architrave. I already have plenty of experience in this area from the wild and wonderful door-meets-wall variations elsewhere in the house, of which more in a later post.

Normally you would make the entire lining on the floor and get it perfectly square, then slide it into the aperture and drive shims and wedges in at the sides to hold it in place before screwing into the walls (but then how do you get the wall plugs in? I haven’t figured that out). However, owing to poor planning on my part I had only made the aperture barely wide enough to suit my door, so I knew the jambs would have to be right up against the masonry -it wouldn’t be possible to slide the whole thing in pre-made. Meh, you live and learn. At least this way I could hold the jambs in place and drill through them into the brick to mark the fixing points, then remove the jambs and drill out the holes and insert wall plugs ready for final fix.

door-linings-168The pine boards are only 22mm thick (they’re advertised as 25 x 200mm). Even though off-the-peg door lining seem to be about the same thickness, I think this is too thin to hang a heavy door off (the original linings in my house are at least 1 inch thick). The next size of timber up is 32mm which was too thick for me as it would have narrowered the door aperture too much, so I considered glueing an extra layer of plywood onto the 22mm jamb to increase the thickness. However, before I got this far I saw this image from an old handbook which pointed out that you could just glue small pieces of wood exactly where the hinges will go. Duh. Why didn’t I think of that? I even had some 6mm strip wood already saved up -removed from some ill-conceived bit of joinery done by the previous owner.

Having found old dry rot in the walls I decided it would be a good idea to prime the back of the lining to protect against any possible future dampness. I used some Wilko water-based exterior primer that I had left over from painting the guttering (wooden guttering is very common in Burnley). I then screwed the jambs directly to the brick using 2.5″ screws and my favourite cut-to-lenth wall plugs, and I also put some thick polythene sheet (which my mattress came wrapped in!) around the bottom of the jambs to protect them from any possible damp rising through the bricks at floor level. I then cut some shims from scrap wood and wedged them in behind the jambs until they were as square and plumb as I could get them.

scratch_doorframeNext I added the header. I cut rebates in each end so it sits down on the jambs and will prevent them from cupping or trying to pull away from the wall. I nailed the header down onto the jambs and also drove some wedges in against the lintel for added rigidity against years of door banging. I then emptied an entire can of Screwfix expanding foam (£3.99) into the gaps between the jambs and the brick. With the casing complete I stained and waxed the door as per usual, and hung it. I have yet to add the planted door stops and architrave.



Update July 2017: I have finished the doorway! I made deep architrave from two layers of 4mm MDF with dado rail on top. I also filled a gap between the architrave and door lining with thin dowel (a useful trick worth knowing). This is a subordinate door so it has no entablature.